Events. list: API endpoint that allows events to be viewed. retrieve: API endpoint that allows single event to be viewed. create: API endpoint that allows event to be created. update: API endpoint that allows events to be updated. partial_update: API endpoint that allows events to be partially updated. delete: API endpoint that allows events to be deleted.

GET /api/v1/events/?format=api&offset=2286&ordering=start_time
HTTP 200 OK
Allow: GET, POST, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "count": 37601,
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            "id": 2205,
            "author": {
                "id": "cfc50155-9a72-4503-a787-1c7499c807ce",
                "username": "AddictedArtGallery",
                "slug": "addictedartgallery",
                "first_name": "Blair",
                "last_name": "Thomson",
                "display_name": "Blair Thomson",
                "display_name_full": "Blair Thomson",
                "email": "blair@addictedgallery.com",
                "telephone": "+65 9068 2026"
            },
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                "created_at": "2020-03-26T14:39:13.155047Z",
                "updated_at": "2021-09-13T11:25:43.772761Z",
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                "caption": null,
                "alt_text": "Continuous Creation - When Art and Life Knows No Separation",
                "description": null,
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            },
            "venue": {
                "id": 2675,
                "name": "Addicted Art Gallery",
                "slug": "addicted-art-gallery",
                "city": "By Appointment Only",
                "country": {
                    "code": "SG",
                    "name": "Singapore"
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                    "created_at": "2020-06-08T09:33:34.304216Z",
                    "updated_at": "2021-09-14T13:39:53.887486Z",
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            "category": {
                "id": 1,
                "image": null,
                "slug": "gallery-shows",
                "created_at": "2020-06-02T15:33:40.525202Z",
                "updated_at": "2021-03-29T12:19:01.299372Z",
                "name": "Gallery Shows",
                "description": "",
                "meta_description": null,
                "caption": null,
                "tooltip": "",
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            },
            "country": "CA",
            "publish_status": "published",
            "published_at": "2018-09-04T06:48:24.000000Z",
            "publish_time": null,
            "slug": "continuous-creation-when-art-and-life-knows-no-separation",
            "created_at": "2018-09-04T06:48:24.000000Z",
            "updated_at": "2020-07-16T08:13:06.567521Z",
            "summary": "Continuous Creation - When Art and Life Knows No Separation is an Gallery Shows event starting on 03/09/2018, 12:00 and ending on 30/09/2018, 12:00. Event is in Addicted Art Gallery with address On-Line Exhibition.",
            "title": "Continuous Creation - When Art and Life Knows No Separation",
            "content": "Greg Beebe: Art Is Life - Art can be a channel through which to release thoughts and feelings that accumulate in other aspects of life, or a response to them. This is not the case for Greg Beebe. This Miami-based mixed media artist is also a successful financial entrepreneur that approaches his art practice with the same intention as he does his business interests…with an unstoppable impulse to create. While his work feeds his art, so too his art complements the thinking that generates his investments. Whether it’s building a business entity or expressing an idea using a range of techniques and materials on canvas, there is no separation between artist and businessman. And that is the beauty of Beebe’s art – the purposeful fulfilment of inherent skills. The result is honest commentary that promotes the power of positivity and the pursuit of creation in any form. \r\n\r\n“I can move from one tool to another quite easily,” explains Beebe. “Whether it’s stepping out a business idea on my laptop or picking up a paintbrush to start telling a story, it’s all pretty fluid.” This seamlessness is not something learnt or acquired. From a very young age Beebe has always had ideas and the impetus to express them. “I guess I began lettering, cartooning, drawing when I was about five years old,” he says. Eventually he became recognised within the school system as a top tier artist. But things changed when he got to university. Beebe ceased his arts practice except for a bit of doodling. This may seem at odds with someone whose lifeblood is creation, but the decision was elementary for Beebe. “I just knew that in order to get ahead and do well I needed to get obsessed with study, to focus without any distraction so I could get good at something.”\r\n\r\nAbout 5 years later, while travelling regularly for work, Beebe was exposed to various modern and pop artists that inspired him to experiment with techniques. “I never stopped being creative in my thoughts and plans. I had been busy applying my skills to building and creating in the business world,” says Beebe. “But when I discovered artists like Jackson Pollock, Gerhard Richter, Andy Warhol and Banksy I actually wanted to go out and buy a canvas, wood, paint and start messing around. I think I’ve bought or created every possible material to a flat surface actually. I even did a glass blowing course once to understand the possibility of integrating onto canvas!” The initial results were abstract and the movement he effects through his harnessing of materials and colour is evident. But eventually he wanted to get more specific in what he was saying to the viewer. This has led to a more serious arts practice and the development of a mixed media style comprising multiple layers, pop culture imagery, graffiti, collage, photography and resin.\r\n\r\n“What I want to say, the creation part of what I do, has already happened before I sit down to start the detailed work of a piece,” Beebe explains. “Often it’s a response to something I’ve seen or felt while in Miami or while traveling. Maybe it’s the result of my business interactions. But while the message in every piece is different, generally I’m talking about the idea of working hard and playing hard.” Case in point, Beebe’s Mickey Mouse on a boat flanked by Moet Chandon reflecting a beach babe in his sunnies. In fact, maybe Mickey’s just being a wee bit superficial? Perhaps Beebe is trying to tell us something?\r\n\r\n“There’s definitely a fair bit of materialism that goes on in Miami and of course it affects my work. You can see that I address that in pieces where I refer to not forgetting your roots. But I’m not being cynical. I believe in using your skills and enjoying what you can achieve by applying them,” admits Beebe. \"Positive or energetic messaging is my key focus. I want to create artwork from a personal feeling of motivation or positivity. For example, seeing people work hard or working hard myself and achieving something is gratifying to me, so I want to create a piece of artwork that might give the viewer a piece of what I’m feeling.”\r\n\r\nWhile the general theme that infuses his work is one of positivity, the specific message, elements and composition in each piece is fresh and handled differently each time. “It hurts me as a ‘brand’ not to keep a continuous theme - for example painting the same figures over and over again or the same constructed script over and over again, but I could never be happy with replication in order to achieve recognition and ‘branding’. I try to deliver my message in a few forms: direct messaging, direct imagery and heavy use of colour and texture to bring the message to life. My work will visually look similar piece to piece, but the themes and details and materials will always be different,” Beebe explains.\r\n\r\nThis is not meant to be controversial every art form is art, however; when you understand Beebe’s work pattern you understand he just simply isn’t built to do the same thing twice. “I don’t enjoy a recurring day. I need to build, hand over and move forward. From home, I can be on my computer or executing the detailed stages of an artwork, in my multi use warehouse space I can let loose with the  messy aspects of the piece, and I can be in my office space operating a franchisee business with various canvasses hanging around rendering the space like a gallery. My business and art cross over constantly and it works really well.”\r\n\r\nThe obvious question is how closely will Beebe’s art practice come to becoming a business? “Sure, I’m keen to see if my art has an audience that makes it financially sustainable quite apart from my other businesses. That’s not what I do it for though. I do it because it’s who I am. Having said that, exposure, exposure, exposure – it feels great when people love your work.”",
            "start_time": "2018-09-03T12:00:00.000000Z",
            "end_time": "2018-09-30T12:00:00.000000Z",
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            "address": "On-Line Exhibition",
            "city": "Old Toronto",
            "geolocation": "43.6360095,-79.4188537",
            "price_currency": "EUR",
            "exhibitors_previous_year": 0,
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            "visitors_this_year": 0,
            "visitors_previous_year": 0,
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                11611
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                13983,
                13984,
                13985,
                13986,
                13987,
                13989
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        {
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            "author": {
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                "username": "Milos Antonic",
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                "created_at": "2020-03-24T05:13:59.384559Z",
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                "id": 710,
                "name": "Perrotin",
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                "city": "Paris",
                "country": {
                    "code": "FR",
                    "name": "France"
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                    "created_at": "2020-03-24T11:34:34.057855Z",
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                "created_at": "2020-06-02T15:33:40.525202Z",
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            "slug": "laurent-grasso-otto",
            "created_at": "2018-09-26T16:01:25.000000Z",
            "updated_at": "2020-07-16T08:13:35.889271Z",
            "summary": "Laurent Grasso, \"OTTO\" is an Gallery Shows event starting on 05/09/2018, 00:00 and ending on 06/10/2018, 00:00. Event is in Perrotin with address 76 rue de Turenne, Paris, France.",
            "title": "Laurent Grasso, \"OTTO\"",
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            "start_time": "2018-09-05T00:00:00.000000Z",
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                "alt_text": "TIMELESSNESS AND THE COLORS ON THE SURFACE OF THIS WORLD",
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            "venue": {
                "id": 2819,
                "name": "Under the Mango Tree",
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                "created_at": "2020-06-02T15:33:40.525202Z",
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            "summary": "TIMELESSNESS AND THE COLORS ON THE SURFACE OF THIS WORLD is an Gallery Shows event starting on 06/09/2018, 12:00 and ending on 09/11/2018, 12:00. Event is in Under the Mango Tree with address Merseburger Strasse 14\r\n10823 Berlin.",
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            "content": "GALLERY UNDER THE MANGO TREE gladly presents the first solo \r\nexhibition of Hiroshi Aoki in Europe.\r\n\r\nTIMELESSNESS AND THE COLORS ON THE SURFACE OF THIS WORLD \r\n\r\nThe Exhibition builds ensuing scenes that move across time and space, while considering collectivity, anonymity and the idea of identity through history, \r\nfantasy and assumption.\r\n\r\nA need for knowledge of what transcends time is built into the very nature of the human mind and imagination. Maps change, histories move. Concrete, lights, lives and landscapes blur. Open-ended and un-documentary. Presented within a photographic dialog the works are suggestive of life, there is the anticipation of movement: only colors are present. The scenes evoke that the time is both a physical dimension of the universe and a dynamic, fluctuating process of change. \r\n\r\nWhat happens when you layer one time on to another time? Is the sum equivalent to one temporal experience, analogous to the mysteriously singular ‘composite’ portrait of many realities – beyond every race, global borders - which as `new and unique´ has its new identity or is the result only a simple solution of two times at once?  An idea made manifest as a photographic experiment or a reality of an imagination to bring together the identity of simple existence and its \r\nappreciation. \r\n\r\nA childhood intention to understand and appreciate the global differences led Hiroshi Aoki towards a careful cultivation of the perspectives to see through his Lens. From United States to Norway to Japan to Germany. By combining \r\nelements, observing changes where they occur, and keeping a close watch on the way in which the world courses through his consciousness, Hiroshi Aoki also subsequently generated in the continuity - A Blue Print of Berlin. Located at the intersections of contemporary art and its historical and philosophical enquiry- those who take a closer look at the works created in 2015 in Berlin, will see that his works consists of an exclamation and question mark. Much can be gained with this realization, but not everything- because only those who take the trouble to go into the depth of the title, see more.\r\n\r\nA POSTCARD TO THE FUTURE\r\nYOUR ENGAGEMENT WITH THE TIME\r\nEach wish for the future has its seed in the present moment. \r\n\r\nOn the evening of the opening of the Exhibition- 6th September- the visitors would \r\nget the opportunity to write their own definition of time, how they undertand it and what \r\nthey wish to do with their available time to create a future - on a postcard with a work by HIROSHI AOKI available in the Gallery. These Postcards would be collected in box. Visitors to the exhibition have the possibility to write this card to the future. Acknowledging that each wish for the future has its seed in the present moment, this is an experiment to register how do the people think and what do they wish for themselves and what do they aspire. Over the period of the exhibition, we invite the international community to express their thoughts and we would celebrate by hanging these collected postcards in the last week of the exhibition. And wish that every wish personal, professional or social - goes into fulfillment.",
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            "summary": "Enter Through The Headset 3 is an Gallery Shows event starting on 07/09/2018, 12:00 and ending on 30/09/2018, 12:00. Event is in GAZELLI ART HOUSE with address 39 Dover Street\r\nLondon \r\nW1S 4NN.",
            "title": "Enter Through The Headset 3",
            "content": "Gazelli Art House is pleased to present Enter Through the Headset 3, in partnership with Blue Hire VR. The exhibition will showcase three artists working within the medium of virtual reality (VR) who have also been previous residents of ‘Gazell.io’ – the gallery’s month long online residency that runs alongside the gallery’s exhibition program. Gazell.io is an innovative digital platform, which embodies the gallery’s commitment to digital art, interactivity and education.\r\n\r\nMichael Takeo Magruder, Mbryonic (Tom Szirtes & Xan Adderley) with Xavier Sole and CiRCA69 (Simon Wilkinson) will all have profound and cutting edge VR works on display. Drawing on themes of sustainability, truth and our human effect on society, these works are completely immersive with carefully created artistic environments, moving image and sound. 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This is a vital part of the context. What if the roof of the Tate were to fly off ? Collapse? Burn? This work entitled, Appropriation #1: The Sleep of Reason Still Produces Monsters is inspired by three works of Francisco Goya’s: The Hill of San Isidro, The Pilgrimage of San Isidro, and The Great He-Goat. In the work, the audience witnesses a surreal celebration party of decapitated heads, which evolves and descends into an aggressive assault on the senses.\r\n\r\nSunfollowers is the second work on display from Mbryonic and Xavier Sole. Here, the viewer finds themselves in the middle of a beautiful and lush sunflower field. The relationship between the sun and field are rapidly changing, as the sun burns brighter and stronger with every second. The metaphor of the relationship between followers and followed has clear political resonance. Who is the influencer and who is the influenced? Questions of the relationship between independence and responsibility come up and make us critique how we inhabit our own world.\r\n\r\nThe Third Day by CiRCA69, the company of artist Simon Wilkinson, is another ongoing project comprising of a novel and a collection of virtual reality installations. As the VR work is being experienced and the novel is being narrated - there is an interplay happening between the third person experience of the story and fictional characters beside the first person experience through the VR. The work was instigated as part of a residency at Cambridge University’s Leverhume Centre for the Future of Intelligence in June 2017.\r\n\r\n\r\n“In its third year, the exhibition ‘Enter Through the Headset’ is becoming our way of identifying key artists working in virtual reality. It is exciting to see this medium accepted within the arts, going beyond the gaming industry.”\r\n\r\n-Mila Askarova, Founding Director of Gazelli Art House\r\n\r\n\r\nThrough Gazell.io, Gazelli Art House is devoted to being at the forefront of technology and art consistently fostering innovative talent and helping to merge virtual and physical gallery spaces. Continuing throughout the yearlong exhibition program, Gazell.io has monthly online residencies that can be accessed from a desktop, mobile and in the Gazelli Art House gallery.",
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            "title": "Alessandro Calabrese : The Long Thing",
            "content": "For « The Long Thing », the Milanese artist swapped his camera for another machine : a desktop scanner. The result ? Objects transfigured by a new aesthetic. \r\nThe photos are about the \"tools\" of the office environment, but we are far from Figurative. The representation is deconstructed and the object fragmented. The use of the scanner in the process of producing the images, allows the loss of control to be fully liberating. \r\nBy using an office tool, Alessandro re-reads shapes, colors and materials, pushing the boundaries of reality to the point where photography meets abstraction. \r\nAs a fight against bureaucracy, « The Long Thing » reverses the mechanism of boredom or even the march towards a form of alienation, by the very creative, free and refreshing approach of its author.",
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            "title": "De la musique avant toute chose",
            "content": "By focusing on musicians of different nationalities, the artist has managed to even honor some of the key Belgian personalities, so it seems that his agenda is based on a belief that music softens the walls and connects people.<br />\r\n<br />\r\nAlthough imbued with nostalgia, these works can be perceived as reminders on the great music figures and therefore present an important piece of pop cultural heritage to the younger generations in a new light.<br />\r\n<br />\r\nDe la Musique avant toute chose / Music Before Anything Else will be opened at Galerie Martine Ehmer in Brussels on September 8th and will last until October 14th, 2018.",
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            "title": "SOEY MILK “Inflorescence”",
            "content": "OPENING RECEPTION:\r\nSeptember 8, 2018, 7pm - 11pm   •  \r\n\r\nON VIEW:\r\nSeptember 8 - October 13, 2018   •   \r\n\r\nCOREY HELFORD GALLERY:\r\n571 S. Anderson St. Los Angeles, CA 90033   •   \r\n\r\nOpen Tuesday-Saturday, 12pm - 6pm\r\n(310) 287-2340   •   \r\n \r\nOn Saturday, September 8, artist Soey Milk will premiere her second solo show with Corey Helford Gallery: Inflorescence. In over 20 new paintings and drawings, Milk captures the most significant moments and eras from the timeline of her life, embodying them as vibrant portraits of some of her friends.   •   \r\n\r\nSince embarking on her career as a visual artist, Milk’s works have served as markers in the timeline of her life, with her able to summon memories of all the major (and small) events happening at the time she was creating them. In Inflorescence, the history of her work and the word’s various meanings collide with the pieces of art unfurling as chapters from the floral axis of her life, embodied as a bouquet of ethereal portraits that anchors her narrative as she created this new body of work.   •   \r\n\r\nAn obsessive sketcher and doodler, for the first time ever, Milk will be showcasing the initial seedling drawings and ideas that would later blossom into some of her best-known paintings.   •   \r\n\r\n“Usually I will start with an idea and an image, then I spend a good amount of time creating a drawing of it,” says Milk. “These studies often serve as blueprints for my paintings. I work in many layers and glazes, and often on three or four paintings simultaneously. Usually my process will slow down significantly near finishing, then the tweaking hour comes where paintings are revisited and fine tuned until we are all happy.”   •   \r\n\r\nInflorescence will also continue experimentation with embedded objects as a medium in her work, with painted-over wallpapers and fabrics comprising the background of some of her paintings, pulled from the rooms they were created in. In one piece, a feather from her chicken spontaneously made its way onto the canvas and was sealed in place by a layer of paint.   •   \r\n\r\nSoey Milk’s Inflorescence will open Saturday, September 8 with an opening reception from 7pm - 11pm in the Main Gallery. The reception is open to the public and the exhibit will be on view through October 13. The space is open Tuesday - Saturday, 12pm - 6pm. Corey Helford Gallery is located at 571 S. Anderson St. Los Angeles, CA 90033.",
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            "content": "OPENING RECEPTION: September 8, 2018, 7pm - 11pm • ON VIEW: September 8 - October 13, 2018 • COREY HELFORD GALLERY: 571 S. Anderson St. Los Angeles, CA 90033 • Open Tuesday-Saturday, 12pm - 6pm (310) 287-2340 • On Saturday, September 8, artist Luke Chueh will return to Corey Helford Gallery after a three-year hiatus to premiere ANTHROPOMORPHUCKED. In over 20 new acrylic paintings, Chueh will render anthropomorphic characters both new and familiar to explore what it means to be “anthropomorphucked.” The opening reception for ANTHROPOMORPHUCKED will be held September 8 from 7pm - 11pm, and the show will be on view until October 13. • \r\n\r\n“This show is basically a collection of ideas that I developed for the past three years, that I’ve been saving for a show like this,” explains Chueh of the new body of work. He’s been exhibiting all over the country and internationally since his last solo show at Corey Helford in 2014. He says, “When I’m traveling and on the road, the only goal I have is to give the people what they want. But LA is my home. It’s my comfort zone, and I feel safe here to experiment and do things that aren’t in the usual ‘Luke Chueh style.’” • \r\n\r\nChueh has become best known for a series of white, almost mascot-like anthropomorphic figures, often depicted with the head of a bear, bunny or chicken. Over time, they have evolved to become empathetic stand-ins for himself and for the viewers. These classic figures will be present alongside a slew of new characters and even objects getting the anthropomorphic treatment, from houses to tea kettles. • ANTHROPOMORPHUCKED will also premiere new takes on Chinese mythology, from Jiangshi (hopping vampires) to a study featuring a rabbit on the moon—an homage to his heritage as a first generation Chinese-American and the stories that his parents have told him throughout his life. •  \r\n\r\n“Now that I’m back in LA and able to feel at home, I’m able to implement ideas I’ve wanted to for a long time. This show is all about me re-examining my relationship with my characters,” Chueh says. “I’ll be using all the tools in my arsenal for this show.” • \r\n\r\nLuke Chueh’s ANTHROPOMORPHUCKED will open Saturday, September 8 with an opening reception from 7pm - 11pm in Gallery Two. The reception is open to the public and the exhibit will be on view through October 13. The space is open Tuesday - Saturday, 12pm - 6pm. Corey Helford Gallery is located at 571 S. Anderson St. Los Angeles, CA 90033.",
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            "content": "OPENING RECEPTION: September 8, 2018 | 7pm - 11pm • ON VIEW: September 8 - October 13, 2018 • COREY HELFORD GALLERY • 571 S. Anderson St. Los Angeles, CA 90033 • Open Tuesday-Saturday, 12pm - 6pm • (310) 287-2340 • Halloween is coming early to Corey Helford Gallery. In honor of the 200th anniversary of Mary Shelley's Frankenstein, over 100 artists will debut never-before-seen works paying homage to the iconic monster in a group show of the same name. For two centuries, the story of Frankenstein has enthralled people all over the world, with the creature incarnating in every medium from classic cinema to comic books, plays, toys and more. In paintings, sculptures and screen prints, artists from around the world will exhibit their unique takes on the iconic monster, whose story is often equated to the creative process itself. • “In 1818, Mary Shelley’s Frankenstein was published. Now 200 years later and after dozens of incarnations, we are still celebrating a novel that makes us ponder about life, science, love, and death,” explains curator Chogrin. “It is the quintessential story of creator and creation, which is why I think many artists and scientists are immediately attracted to it.” • Chogrin’s call for artists has attracted no shortage of responses from all over the globe. • “As an artist I can relate to both the creature and his creation,” says Chogrin. “Specifically, Frankenstein's monster, as artists tend to be misunderstood creatures as well. Frankenstein is a world-wide pop-culture icon, which is another reason why I was so excited in putting this show together at Corey Helford Gallery. One of things I love the most in putting together these massive group shows is to see how artists from around the world interpret a specific subject matter… and with Frankenstein it is no different. All in all, it is with great pleasure to pay tribute to the most (and my favorite) sympathetic and misunderstood monster of all time, thanks to the amazing heart and mind of Mary Wollstonecraft Shelley.” • Frankenstein will open Saturday, September 8 with an opening reception from 7pm - 11pm. The reception is open to the public and the exhibit will be on view through October 13. The space is open Tuesday - Saturday, 12pm - 6pm. Corey Helford Gallery is located at 571 S. Anderson St. Los Angeles, CA 90033.",
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            "summary": "HALF NAKED: Featuring RAY TURNER is an Gallery Shows event starting on 13/09/2018, 12:00 and ending on 03/11/2018, 12:00. Event is in JoAnne Artman Gallery New York with address 511A West 22nd Street.",
            "title": "HALF NAKED: Featuring RAY TURNER",
            "content": "JoAnne Artman Gallery, Presents:\u2028HALF NAKED: Featuring RAY TURNER \r\nFALL 2018\r\nArtist’s Reception: Thursday, September 13th, 2018 from 6pm-8pm\r\nPlease RSVP: 949.510.5481 by September 1st, 2018\r\n\u2028JoAnne Artman Gallery\u2028511A West 22nd St. | New York, NY 10011\u2028Contact:  JoAnne Artman\u2028Telephone:  949-510-5481 | E-mail: joanneartman@aol.com \u2028Website: www.joanneartmangallery.com\r\n\r\nHALF NAKED\r\n\r\nHalf-Naked \r\nadjective | half·na·ked \r\n1. being without clothing or covering; nude:\r\n2. bare of any covering, overlying matter, vegetation, foliage, or the like: naked fields.\r\n3. bare, stripped, or destitute: The trees were suddenly naked of leaves.\r\n4. without the customary covering, container, or protection: a naked sword; a naked flame.\r\n5. without carpets, hangings, or furnishings, as rooms or walls.\r\n6. unassisted by a microscope, telescope, or other instrument: visible to the naked eye.\r\nOrigin of Naked: Middle English Old English\r\nbefore 900; Middle English naked(e), old English nacod; cognate with Dutch naakt, German nackt, Gothic naqths; akin to Old Norse nakinn, Latin nudus, Greek gymnos, Sanskrit nagnas\r\n\r\nRay Turner’s work presents a duality between a forceful primality in his treatment of material, and a more cerebral retrospection of the range of human emotion that the work holds within. In Turner’s earlier series, the concept of identity was explored through the act of transformation through active participation, in the space between observer and observed as the work became an active channel.  In his new work, Turner has put his emphasis on the physicality of the mark making process itself as a means of representation, further breaching the boundaries of the traditional modes of portraiture. JoAnne Artman Gallery is pleased to present Half Naked, a showing of Turner’s most recent paintings and prints focused on exploring the dichotomies behind the idiom “half-naked” that powerfully echoes our own discomfort when confronted with the illusions of safety behind all social constructs through the viscerality of the painting medium.\r\n\r\nIn Half Naked, Turner takes his explorations into the emotive potential of the portrait to the next level, as he presents a group of works that refuse to be categorized by exclusion. From work to work, Turner presents a didactic deconstruction of the visual semantics behind recognizability of form through a parsing of the gray space of the half-formed, half-naked. The representational qualities of the works rely on Turner’s mastery of form and the vast range of human facial expression. Through slightest suggestions, Turner is able to utilize the properties of his medium to create images that capture and attune to emotional states. Created as an organic process of fluid, painterly malleability, the paintings are reminiscent of the dextrous exaggerations of Francis Bacon, the mastery of form and the grotesque of Francisco Goya, and the wide, luscious strokes of John Singer Sargent.\r\n\r\nThe new body of work further explores the concept of identity through materiality and the idea of formation by utilizing materials that emphasize the painting process such as translucent mylar, acetate, vellum, and duralene. Chance, discovery, and intentionality are an integral part of Turner’s working process as he experiments with new elements such as the semi-opaqueness of mylar and duralene - materials he was initially inspired to use through the study of old anatomy illustrations. Assembly and display as part of the presentation process are another important step in Turner’s methodology as a point of visual guidance via juxtaposition.\r\n\r\nRAY TURNER (b. 1958, Stockton, California) lives and works in Pasadena, California where he earned his BFA from Art Center College of Design.  His work has been showcased in exhibits throughout the country as well as in museums and galleries in San Francisco, New York, Miami, Chicago, Boston, and Berlin.\r\n\r\nRay Turner’s work will inspire, provoke, engage and mesmerize. With visual perceptions always changing, peek behind the stories told and you're sure to find the right artistic expression!",
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