Events. list: API endpoint that allows events to be viewed. retrieve: API endpoint that allows single event to be viewed. create: API endpoint that allows event to be created. update: API endpoint that allows events to be updated. partial_update: API endpoint that allows events to be partially updated. delete: API endpoint that allows events to be deleted.

GET /api/v1/events/?format=api&offset=2232&ordering=end_time
HTTP 200 OK
Allow: GET, POST, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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            "id": 2171,
            "author": {
                "id": "f56c0111-3ee1-40c2-84b4-88f2f6bdd35e",
                "username": "Mirko",
                "slug": "mirko",
                "first_name": "Mirko",
                "last_name": "Nikolic",
                "display_name": "Mirko Nikolic",
                "display_name_full": "Mirko Nikolic",
                "email": "mirko.nikolic81@gmail.com",
                "telephone": ""
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            "price": null,
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                "created_at": "2020-03-24T04:02:06.345787Z",
                "updated_at": "2021-09-13T10:34:19.691097Z",
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                "caption": null,
                "alt_text": "cranio-event-11",
                "description": null,
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            "venue": {
                "id": 471,
                "name": "VERTICAL GALLERY",
                "slug": "vertical-gallery",
                "city": "Chicago",
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                    "created_at": "2020-04-29T16:20:14.607754Z",
                    "updated_at": "2021-09-14T13:32:39.801154Z",
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                "id": 1,
                "image": null,
                "slug": "gallery-shows",
                "created_at": "2020-06-02T15:33:40.525202Z",
                "updated_at": "2021-03-29T12:19:01.299372Z",
                "name": "Gallery Shows",
                "description": "",
                "meta_description": null,
                "caption": null,
                "tooltip": "",
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            },
            "country": "US",
            "publish_status": "published",
            "published_at": "2018-07-24T19:38:50.000000Z",
            "publish_time": null,
            "slug": "cranio-jungle",
            "created_at": "2018-07-24T19:38:50.000000Z",
            "updated_at": "2020-07-16T08:12:49.555312Z",
            "summary": "Cranio - Jungle is an Gallery Shows event starting on 04/08/2018, 00:00 and ending on 26/08/2018, 00:00. Event is in VERTICAL GALLERY with address 1016 N Western Ave, Chicago, IL 60622, USA.",
            "title": "Cranio - Jungle",
            "content": "",
            "start_time": "2018-08-04T00:00:00.000000Z",
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            "address": "1016 N Western Ave, Chicago, IL 60622, USA",
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            "exhibitors_previous_year": 0,
            "exhibitors_this_year": 0,
            "visitors_this_year": 0,
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            "buy_tickets_url": null,
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            "email": "info@verticalgallery.com",
            "external_url": "https://verticalgallery.com/",
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                4473
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            "magazines": [
                8675
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        {
            "id": 2095,
            "author": {
                "id": "6997f44f-1e5e-4516-b00c-c28e24f0eb1e",
                "username": "joanneartman",
                "slug": "joanneartman",
                "first_name": "JoAnne",
                "last_name": "Artman",
                "display_name": "JoAnne Artman",
                "display_name_full": "JoAnne Artman",
                "email": "erinmetzdorf@gmail.com",
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            "price": null,
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                "created_at": "2020-03-26T14:38:20.335395Z",
                "updated_at": "2021-09-13T11:24:33.804068Z",
                "is_converted_to_webp": true,
                "caption": null,
                "alt_text": "“ENDLESS SUMMER” Featuring Danny Galieote",
                "description": null,
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            "venue": {
                "id": 2812,
                "name": "JoAnne Artman Gallery New York",
                "slug": "joanne-artman-gallery-new-york",
                "city": "New York City",
                "country": {
                    "code": "US",
                    "name": "United States of America"
                },
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                "artworks_for_sale_count": 0,
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            "category": {
                "id": 1,
                "image": null,
                "slug": "gallery-shows",
                "created_at": "2020-06-02T15:33:40.525202Z",
                "updated_at": "2021-03-29T12:19:01.299372Z",
                "name": "Gallery Shows",
                "description": "",
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            },
            "country": "US",
            "publish_status": "published",
            "published_at": "2018-05-11T17:11:25.000000Z",
            "publish_time": null,
            "slug": "endless-summer-featuring-danny-galieote",
            "created_at": "2018-05-11T17:11:25.000000Z",
            "updated_at": "2020-07-16T08:12:11.325837Z",
            "summary": "“ENDLESS SUMMER” Featuring Danny Galieote is an Gallery Shows event starting on 14/06/2018, 12:00 and ending on 31/08/2018, 12:00. Event is in JoAnne Artman Gallery New York with address 511A West 22nd Street, New York, NY 10011.",
            "title": "“ENDLESS SUMMER” Featuring Danny Galieote",
            "content": "JoAnne Artman Gallery, Presents:\r\n“ENDLESS SUMMER” Featuring Danny Galieote\r\nSummer 2018\r\nArtist’s Reception: Thursday, June 14th, 2018 from 6pm-8pm\r\nPlease RSVP: 949.510.5481 by June 7th, 2018\r\n\r\nJoAnne Artman Gallery\r\n511A West 22nd St. | New York, NY 10011\r\nContact:  JoAnne Artman\r\nTelephone:  949-510-5481 | E-mail: joanneartman@aol.com\r\nWebsite: www.joanneartmangallery.com\r\n\r\nENDLESS SUMMER\r\n\r\nDanny Galieote has a propensity for capturing the quintessentials of Americana in works that blend realist narratives with a pop sensibility. The works are reminiscent of classic, vintage postcard imagery with an undercurrent of poetic, and often surprising, juxtaposition. The stylistic effect is a blend between the old-s chool charm of Norman Rockwell, with the unexpected twist of surrealist René Magritte. JoAnne Artman Gallery is pleased to present an exhibition of new works by Danny Galieote with a focus on iconic American summertime scenes.\r\n\r\nGalieote belongs to a group of contemporary artists and writers that are part of a revitalized interest in American regionalist history and art.  The American Regionalist art movement rose in the 1930s as a response to the Great Depression and was defined by a traditionalist realist style that appealed to popular American sensibilities of the time. The movement gave rise to a subsequent proliferation of realist art, making a lasting impact as a style that bridged academic realism with American Modernism, breaking American realist art away from the European tradition.\r\n\r\nDanny Galieote’s masterfully rendered paintings tie the stylistic and thematic trends of the Regionalists to contemporary socio-cultural themes. Rendered in a faded, tonal palette, Galieote builds his compositions with references to classic Americana, presenting quotidian scenes of American life. Focusing on the figure, Galieote sets his compositions in the the iconic decades of mid-century America, incorporating whimsical elements with modern social concerns. Many of the scenes include psychological elements such as hints at the inner, intrusive thoughts of the figures, imbuing the light hearted imagery with deeper connotations and illuminating timeless truths of the dualities of human nature. \r\n\r\nA California native, Galieote began his art career in Disney animation studios, where he was a top animator for films such as the Lion King and Tarzan as a character artist, honing his skill at hand drawing and the human figure. Well versed in art history, Galieote’s influences include Renaissance masters such as Michelangelo, Rubens, and the Mannerist Jacopo Pontormo as well as American realist painter George Bellows and other AshCan artists. Galieote’s work has been widely exhibited across the U.S., with numerous works in prestigious international collections. He currently lives and works in Los Angeles. \r\n\r\n\r\nDanny Galieote’s work will inspire, provoke, engage and mesmerize. With visual perceptions always changing, peek behind the stories told and you're sure to find the right artistic expression!",
            "start_time": "2018-06-14T12:00:00.000000Z",
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            "address": "511A West 22nd Street, New York, NY 10011",
            "city": "Manhattan Community Board 4",
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            "price_currency": "EUR",
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        {
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            "author": {
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                "username": "GalerieMartineEhmer",
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                "display_name_full": "martine ehmer",
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                "telephone": "0032473590285"
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            "venue": {
                "id": 2549,
                "name": "Galerie Martine Ehmer",
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                "city": "Brussels",
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                    "created_at": "2020-04-29T16:22:26.452591Z",
                    "updated_at": "2021-09-14T13:33:28.590727Z",
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            "category": {
                "id": 1,
                "image": null,
                "slug": "gallery-shows",
                "created_at": "2020-06-02T15:33:40.525202Z",
                "updated_at": "2021-03-29T12:19:01.299372Z",
                "name": "Gallery Shows",
                "description": "",
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            "country": "BE",
            "publish_status": "published",
            "published_at": "2018-07-12T12:27:30.000000Z",
            "publish_time": null,
            "slug": "summershow",
            "created_at": "2018-07-12T12:27:30.000000Z",
            "updated_at": "2020-07-16T08:12:45.750122Z",
            "summary": "SUMMERSHOW is an Gallery Shows event starting on 06/07/2018, 12:00 and ending on 31/08/2018, 12:00. Event is in Galerie Martine Ehmer with address Rue Haute 200\r\n1000 Brussels.",
            "title": "SUMMERSHOW",
            "content": "SUMMER SHOW @Galerie Martine Ehmer\r\nJULY 6 > AUGUST 31\r\n\r\nWith LEVALET - L’ATLAS - JEF AEROSOL - MISS TIC - JIM WOLF - CEDRIX CRESPEL - MIGUEL FERNANDEZ - SILVIA BAUER - JULIE DE BLEECKERE",
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            "address": "Rue Haute 200\r\n1000 Brussels",
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            "id": 2172,
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                "username": "GazelliArtHouse",
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                "first_name": "Gazelli",
                "last_name": "Art House",
                "display_name": "Gazelli ArtHouse",
                "display_name_full": "Gazelli ArtHouse",
                "email": "intern@gazelliarthouse.com",
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            "summary": "Window Project 2012 - 2018 is an Gallery Shows event starting on 03/08/2018, 12:00 and ending on 31/08/2018, 12:00. Event is in GAZELLI ART HOUSE with address 39 Dover Street\r\nLondon \r\nW1S 4NN.",
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            "content": "| Private View: 2nd August, 6 - 8 pm |       Celebrating 6 years running of the gallery’s Window Project recent graduates are selected from an international open call, to take creative control of the facade of the gallery. Held on a quarterly basis, the shortlist is handed over to an invited selection committee who then decides on the winner. Through this initiative, the gallery is committed to bringing recent graduates to a wider audience.\r\n\r\nExhibiting artists, all who have been previous Window Project winners, include Jinyong Park, Luca Serasini, Jonny Tanna, Rosie McGinn, Tom Pope, Wright & Vandame, Anna Beatriz Fernandes, Ulla Nolden, Alexander Duncan, Holly Stevenson, and Julia Vogl.\r\n\r\nJinyong Park was the winner of Gazelli’s Spring 2018 Window Project with her work, Our Universes Meet Through the Word-holes. She graduated from the Royal College of Art in 2015 and has been exhibiting internationally in Paris, London and Seoul. 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The idea of looking in has inspired Tanna for his work exhibited in this show which includes an interactive computer screen with an animated character called ‘Smarterchild’ accompanied by a small novel. The notion that most of our time is spent looking at small screens (either computers, televisions or phones) is juxtaposed by the fact that we still commute through analog platforms and life itself is always going to be analogue (food, love, friendships etc).\r\n\r\nRosie McGin was the Spring 2017 Window Project winner with her work, WSM or ‘Worlds Strongest Men’. Stills from this strong man competition have been enlarged to the point of pixilation and was printed onto vinyl fitted to the size of the first floor windows. Her current works for this exhibition continue to explore this idea as she displays two screens with the ‘World’s Strongest Men’ images. 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His self portrait series were all made at a performative games night where the participants actions directly influenced the resulting composition of each work.\r\n\r\nWright and Vandame are the Summer 2016 Window Project winners with their work, All of Us Will be Gone that uses a one-way mirror vinyl on each of the windows to reflect the immediate surroundings and directly engage the viewer within the work. From the interior of the gallery, the audience can further participate with the exhibition by looking at the viewers looking at themselves; but never seen. For this exhibition, Wright and Vandame have created one of a kind star shaped canvases that are covered in silver foil.\r\n\r\nAnna Beatriz Fernandes was the Spring 2016 winner of the Window Project with her work, Memory of a Non-Place. Five projections were presented onto an oscillating translucent veil on the first floor windows, conveying movement as the fabric swings. The photographs guide the viewers through a collection of imagery of the ocean, where traditional notions of time and identity are no longer present. Her work for this exhibition entitled Engrama is a series of cyanotypes from a research on family photo albums. Through the evocation of real and ctitious memories Engrama explores the idea of a link between past and present and the viewer’s possibility of a self-recognition through the other.\r\n\r\nHolly Stevenson was the summer 2015 Window Project winner with her work, < OPEN > which explored the concept of being in two places at once via the consideration of the subject being both open and closed. In this exhibition she will be exhibiting a variety of new ceramic earthenware works. These are all apart of her latest project entitled, Freud’s Ashtray.\r\n\r\nUlla Nolden was the 2015 winter Window Project winner with her work, Pure Movement 2 & 3 where she used her own visual representation and perception to depict the changing shapes of sunlight as well as insect swarms. Her work for this show uses a series of screens representing variations of computer algorithms in different environments to examine even further this notion she had in the window project. Inside each of the three screen structures, a Raspberry Pi computer processes and visualises the algorithm in real time.\r\n\r\nAlexander Duncan was the Spring 2015 Window Project winner. His work was a scene of calm, serene waters that lled the top floor windows of the gallery. His work exhibited for this show continues through the same series except this time in two large scale photographs. These two Lacustrine works will be accompanied by a few of his Like Swimming sculptures. The artist uses floats borrowed from his local swimming pool that are cast and colour matched before being returned. He is interested in the floats’ marks, scratches and bites which suggest a childlike connection to play but also to fear and anxiety.\r\n\r\nJulia Vogl was the inaugural window project winner in 2012 with her work Olympic Tides. Coinciding with the London Olympics, her work was inspired by the Olympic rings, each one representing a continent participating in the games, and also by the fact that daily our lives are being pushed and pulled by the Earth’s Rotation and the value of money. For this exhibition she will be exhibiting Filter Fun, originally commissioned for a Tate Late event. This work is made up of free standing color fields that allow visitors to engage with them as analogue filters for their photos and social media exchange while using the hashtag #filterfun.\r\n\r\n\r\n\r\n\r\n#windowproject",
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            "summary": "ZOÉ BYLAND “In the Presence of the Past” is an Gallery Shows event starting on 28/07/2018, 12:00 and ending on 01/09/2018, 12:00. Event is in COREY HELFORD GALLERY with address 571 S. Anderson St. Los Angeles, CA 90033..",
            "title": "ZOÉ BYLAND “In the Presence of the Past”",
            "content": "Corey Helford Gallery is proud to premiere Swiss artist Zoé Byland’s newest solo show, In the Presence of the Past, opening Saturday, July 28 in Gallery Two. This is her first solo exhibition with the gallery. In 20 new black and white paintings, Byland explores the dance of influence that the past has on shaping the present, and the present has on reframing our memories.\r\n\r\nWorking with acrylic and airbrush on canvas, Byland’s paintings are steeped in the aesthetics of film noir, vintage photography, graphic novels and even super-heroes, with many of her characters shrouded in an aura of secrecy or actual disguise. All of her works have in some ways melded elements of traditional and contemporary art into works that are both classical and subcultural. With In the Presence of the Past, she’s exploring the way our society’s pre-occupation with nostalgia is coloring (or in the case of her work, grayscaling) our perceptions of the present.\r\n\r\n“In my paintings I want to create moments that elude time and space, in which history and the present day are blended together,” says Byland. “We are always in the presence of the past. It always accompanies or surrounds us as a fluid dimension that flows into our present and mixes up our future. And while our memories affect our present choices and further alter the future, the past stays a place that we can’t return to. The past only exists in a selective, staged form, altered by memory.” \r\n\r\nAs we recreate old narratives, visuals and media in the present, these new works are altered and colored by the elements of what we’re currently experiencing, with symbols and aesthetics taking on a new life even as they can clearly hail from a long-gone era. “I combine elements that fit with the underlying atmosphere of the image I’m creating. I don’t deliberately choose symbols to convey a specific message, that part is up to the viewer,” explains Byland. “What I love about symbolism is that it can carry a story by speaking to deeper levels of perception and emotion, like dreams or fairy tales do. An image can be read in a variety of ways and I don't want to limit this spectrum of interpretation by applying specific meaning. Just like a good story, for me, a good painting needs an atmosphere that draws you in and defines the genre in which the narrative is taking place. I want to create a certain suspenseful, dreamlike and tense atmosphere in my paintings. In addition to a carefully crafted formal framework, drama and mise-en scène play a role as well.”\r\n\r\nFor the first time ever, Byland will be exhibiting a partially animated painting, complete with sound.\r\n\r\nThe opening reception for Zoé Byland’s In the Presence of the Past will be hosted Saturday, July 28 from 7pm - 11pm in Gallery Two. The reception is open to the public and the exhibit will be on view through September 1. The space is open Tuesday - Saturday, 12pm - 6pm. Corey Helford Gallery is located at 571 S. Anderson St. Los Angeles, CA 90033.",
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            "title": "JASMINE BECKET-GRIFFITH “Magical Thinking”",
            "content": "Corey Helford Gallery is proud to premiere Jasmine Becket-Griffith’s newest solo show, Magical Thinking, on Saturday, July 28 in the Main Gallery, with an opening reception from 7pm to 11pm. This is Becket-Griffith’s second solo show with Corey Helford. Two years in the making, Magical Thinking will premiere twenty new acrylic paintings and over a dozen small-scale studies, as well as the debut of her first-ever large-scale sculptural installation.\r\n\r\n“I love the term ‘Magical Thinking,’” says Becket-Griffith. “It has the unapologetically optimistic feel of being a euphemistic term for ‘positive vibes,’ but it is also technically a psychological disorder indicating the inappropriately fallacious attribution of cause and effect between actions and events, with sometimes sinister implications. Being a painter, a (very) amateur philosopher, and a dilettante in various scientific and mathematical fields, I find myself gravitating towards the idea of Magical Thinking, Sympathetic Magic, and my own rampant OCD when it comes to finding signs and symbols in everyday life that strike a chord in my subconscious. Whether it's the unexpected juxtaposition between patterns and designs, words and colours, meanings and abstractions—I find myself combining permutations of symbolic images with things I find aesthetically pleasing and cerebrally interesting and this collection of paintings displays the results graphically.”\r\n\r\nMagical Thinking will explore Becket-Griffith’s fantastical world in a way she has not done before, with each work revealing meticulously crafted juxtapositions between the expressions, moods, and patterns of the ethereal, big-eyed fairies, familiars, dragonlings, mermaids and more that inhabit each portrait. The show will be comprised of works ranging from 8” x 10” to large-scale 36” x 48.” One of her most famous characters, a mermaid named “Porcelina” with a Blue Willow porcelain patterned tail, will be recreated as a 72” sculptural installation in collaboration with a New Orleans-based prop studio. This will be Becket-Griffith’s first time creating a sculptural piece of this scale. \r\n\r\nBrand new, never-before-released Strangeling Pins will also be given away on a first-come, first-serve basis at the opening reception. \r\n\r\nJasmine Becket-Griffith’s Magical Thinking will open Saturday, July 28 from 7pm - 11pm in the Main Gallery. The reception is open to the public and the exhibit will be on view through September 1. The space is open Tuesday - Saturday, 12pm - 6pm. Corey Helford Gallery is located at 571 S. Anderson St. Los Angeles, CA 90033.",
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            "title": "THE NEW ROMANTICS | Group Show | Curated by  Caro Buermann",
            "content": "On Saturday, July 28, Corey Helford Gallery will premiere new works by over 30 artists in The New Romantics group show, curated by Caro Buermann. The New Romantics surveys this moment’s neo-romantic yearnings for paradise, magic and transcendence above the climate of political, environmental and social turmoil. The opening reception will be held July 28 from 7pm to 11pm.\r\n\r\n\r\n\r\n“I’ve been living with this exhibition for nearly a year, but I’ve been living with the questions a lot longer,” says curator Caro Buermann. “There are many shows that celebrate beautiful imagery, but there aren’t many shows that tackle the implications of neo-romance and our growing attraction to the paradisiacal, the beautiful, and the magic that these images inspire. In today’s world, we are instantaneously exposed to a flood of bad news and images of terror which makes people long for safe places and redemptive perspectives.”\r\n\r\nThe Neo-Romanticism movement, which inspired The New Romantics, is not a new concept. Just as Early Romantic masters’ work was characterized by its emphasis on emotion and individualism, as well as glorification of all the past and nature, this new generation of romantics reflect on the current state of their world. “They are artists who are sensitive to the current state of things and reinterpret the world through their figures, characters, or landscapes,” says Caro. “Not necessarily as it objectively exists, but rather as they are seeing and feeling it.”\r\n\r\nThe group show will feature over 30 artists, including Adrian Cox, Akiko Ijichi, Alessandra Maria, Annie Stegg Gerard, Bao Pham, Camilla d'Errico, Carrie Pearce, Dilka Bear, Erika Sanada, Hannah Yata, Happy D, Hirabayashi Takahiro, Iva Troj, Jana Brike, Joanne Nam, Junko Mizuno, Kate Zambrano, kelogsloops, Lu Cong, Mandy Cao, Marie Larkin, Meredith Marsone, Miho Hirano, Naoto Hattori, Nathália Suellen, Pruch Sintunava, Relm, Sarah Dolby, Shang Chengxiang, Shiori Matsumoto, Yuka Sakuma and Yumiko Kayukawa. The artists will be debuting brand new pieces specifically created for The New Romantics.\r\n\r\n\"[My painting in this show] continues the mythic narrative of the Border Creatures, a race of hybrid beings that live in symbiotic harmony with the natural world,” explains Adrian Cox. “In this work, I depicted Healer wearing the Fatherdress, a supernatural garment that helped her to become both mother and father to her people, and to save them from the threat of the Specters. As she rests, Glow Gardener, another Border Creature, serenades her with music. Glow Gardener is shown wearing a Spectral Disguise, a robe that allows the wearer to pass amongst the Specters unrecognized. I wanted this painting to capture a sense of calm and peace, hinting at a return to balance and tranquility in the Borderlands. Even so, Glow Gardener's disguise suggests that the conflict between the Specters and the Border Creatures is not entirely over.\"\r\n\r\n“'Chaos and I' is a depiction of the intensity that chaos brings into our lives and our fixation with it,” says Relm of her new piece. “It's an energy that is extremely intriguing but once you surround yourself with it, it creates nothing but negativity. The look on her face is full of emotions we all have felt: restlessness, sadness, withdrawal and fear. The beauty that surrounds her in the form of gray rose skies , pedals and even her home is slowly being obliterated by the windstorm she is creating. The stormy tornadoes around her head create these suctions of destruction, a place that is all too familiar for her and very difficult to obstruct. I expect more as we near the deadline.”\r\n\r\nPruch SintunavaI says of his inspiration for the new work, “I see beauty in the way we grow trust to someone. How we accept the bond and all its disadvantages. The way we feel and understand their joy and suffer, sharing both pain and happiness. A rare feeling we don’t get to see very often. To be able to feel a warm present of one another, holding hands. Keeping each other against the destruction of this chaotic world. This one little feeling, like two tiny sparkles dive into sea of muddy water, is one of the only few things that still can make human beautiful.”\r\n\r\n“My goddess archetype, a universal, rather than an individual figure draws attention to the powerful, timeless and enduring quality that women possess as a creative and nurturing force,” explains Marie Larkin. “Society has become increasingly anxious as we become more and more aware of how fragile the balance of our world is in terms of occurrences such as global climate change, the extinction of species and the threat of terrorist and nuclear attack. My warrior women hold the power of hope and renewal in the wake of these fears.”\r\n\r\nThe New Romantics will open Saturday, July 28 from 7pm - 11pm in Gallery Three. The reception is open to the public and the exhibit will be on view through September 1. The space is open Tuesday - Saturday, 12pm - 6pm. Corey Helford Gallery is located at 571 S. Anderson St. Los Angeles, CA 90033.",
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            "summary": "Land Use: A Group Exhibition is an Gallery Shows event starting on 21/07/2018, 12:00 and ending on 08/09/2018, 12:00. Event is in Stephen Bulger Gallery Toronto with address 1356 Dundas Street West, M6J 1Y2.",
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            "slug": "paradise-found-east-indies-series-by-fred-stichnoth",
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            "summary": "Paradise Found - East Indies Series by Fred Stichnoth is an Gallery Shows event starting on 06/08/2018, 12:00 and ending on 09/09/2018, 12:00. Event is in Addicted Art Gallery with address On-Line Exhibition.",
            "title": "Paradise Found - East Indies Series by Fred Stichnoth",
            "content": "Birds of Paradise: Preserving the disappearing tribes of the East Indies through portraiture - \r\n\r\nSome places are hard to find but there is little land left in the world that is inaccessible. Whatever we can’t see on the ground, we can probably see on a smart phone. And, as modern life has encroached on indigenous tribes in the name of scientific research and through land grabs, there are precious few un-contacted communities left in the world. While we can’t return the land and people to being untouched, Indonesian-based, German photographer, Fred Stichnoth hopes that by capturing and sharing the tribes he encounters, it might increase our awareness to preserve these ancient civilisations a little longer.\r\n\r\nGrowing up, Fred was always drawn to adventure movies set in tropical locations. “I love ancient themes, from Egypt to Indonesia. I’ve spent a long time travelling around the world, being drawn to what is considered taboo,” he says. So, it was a dream come true when he located from his native Germany to the Indonesian Island of Bali. From here he has been able to explore some of the remotest areas in the East Indies and the tribes that call these places home. A home that is fast disappearing, along with their customs, legends, ceremony and regalia.\r\n\r\nElusive, beautiful and hidden, Stichnoth’s images from his East Indies Series are like birds of paradise. Catching sight of these rare creatures, documented in their natural habitat against neutral backdrops, they are fragile specimens to observe. They turn their heads and bodies away displaying bright plumage. Shy, even a little frightened, but allowing the viewer to admire their exotic beauty. “Indeed, if you get too close though, it feels like they might fly away at any moment,” Fred agrees, explaining that it can take over eight weeks to prepare a shoot, earning the trust of tribes, understanding their customs and sourcing the correct motifs, sometimes creating headdresses himself guided by the keepers of tradition in each remote village he visits.\r\n\r\nThe results are stunning. “The idea was to create a special sound,” explains Fred. “The attitude and positioning of the female subjects was very important. East Indies women are shy and tend to hide, they don’t look at you.” Shot on location using natural light, Fred employs classic techniques to create a study of his female subjects without the resulting picture feeling invasive. “Around 1860 photographers began using things like a simple bed sheet to create a neutral background. I followed this old idea so as not to disturb or detract from the main focus of the image,” he explains. What is achieved is a portrait of a woman that is at once delicate yet strong, vulnerable yet mighty. Pops of colour delivered through the use of the foliage featured are a counterpoint to the largely neutral palette. But it is a reverence for the colour of skin that is striking.\r\n\r\n“I wanted to inspire people with these pictures. Show them something beautiful of a fast disappearing world,” muses Stichnoth. “What does progress mean for indigenous people? We bring them diseases, prohibit their faith, we give them underwear, subdue them, steal their land and natural resources, destroy ancient cultures and habitats in the shortest possible time. I am entering a world that is getting lost more and more every day. I just want us to remember them before it is all gone.”",
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